Alchemy and The Red Book


When Jung was having his initiation, which occurs in the writing and art of The Red Book, it was his introduction into the rights of alchemy, this wild formula for converting the matter of one's life into spirit.

I contacted Adam McLean about Jung's work in Alchemy. McLean is the founder of Hermetic Journal and a leading voice in the study of alchemical texts. McLean labors intensely to reproduce and publish the arcane and little known alchemical works on which Jung--and, since, countless others--based his work. McLean states on his stunning website (levity.com) that he was once enamoured of Jung's work. I emailed him asking him, basically "what happened" and he replied (within hours) that he simply prefers working in the originals. I respect that, and i also see it as in deep keeping with the nature of alchemy itself--a return to, and journey through, origin into the highest self.

McLean's work allows us to see the sources Jung turned to--the dark and peculiar, often grotesque drawings of the medieval texts such as Mutus Liber. It was on these books that Jung based his own Red Book. To explore them visit McLean's website: http://www.levity.com/.

For me, the images of the old stuff deeply spoke almost as soon as I'd opened Lyndy Abrahams' Dictionary of Alchemical Imagery. Granted I was going through absolute hell at the time and had reached out into alchemy since I'd heard it was the source of the deep healing (called politely "depth psychology" professionally, but I call it something quite different). I started to see the symbols dance with each other, and they became increasily illuminated--even playful. There is a joy in working with alchemy and its artwork. Its elements and writings look dark and frightening--as does the Book of Revelations, but inwardly, elucidated by the dictionary and the work of McLean (who is acknowledged in the dictionary), all of it is about reaching a deeper place in ourselves, a place so dark it glows.

Comments

Lara Lynn Lane said…
That doesn't look so scary Laura. In that one we can see the medical symbol and the heart as central to the human experience. Enjoying your blog.
--Lara Lynn Lane
11:18 AM
Post a Comment

Popular posts from this blog

THANK YOU FOR THE MUSIC: A POEM MADE OF 90 ABBA SONG TITLES

Image
THANK YOU FOR THE MUSIC A POEM WITH 90 TITLES OF ABBA SONGS It's because now my life's as good as an ABBA song. --Muriel’s Wedding Because Love is all there is in this SUMMER NIGHT CITY , Because no one is CASSANDRA on THE DAY BEFORE YOU CAME , Because If it wasn't for the nights, we think that we could take it, Because we expect HAPPY HAWAII and get a MUSICIAN with FUNKY FEET ,  Because THAT’S ME , in the car where the ABBA CD blares strobe light satisfaction, rearview mirror turns mirror ball.  Because I enter a WINNER-TAKES-IT-ALL as the low bass line of ABBA subverts my bottom line, Because  my history falls from the shelf because it's WATERLOO , I couldn't escape if I wanted to, Because we DANCE WHILE THE MUSIC GOES ON in the heart's dopamine disco, Because CHIQUITITA , I’ll tell you what’s wrong, Because I turn that music on and I forget  everything. Because I am 8 again, arms out spinning Disco innocence in
Read more

Emailing Mother Theresa: On Losing the Art of Gazing

Image
I sent my first email in 1996. My boyfriend at the time had a computer, and the computer had internet. He sent emails all the time. When I was working on a project with PATH (Program for Appropriate Technology in Health) to develop a salivary ferning microscope that was cost-efficient enough to be distributed to impoverished women in India and Africa, I was asked for my email address. My boyfriend said I could use his.  One afternoon, my colleague at PATH forwarded an email from Mother Theresa. She was giving PATH her approval of the device. Once you get an email from Mother Theresa, there isn't much else to anticipate (Note to the 20000 senders of emails I've received since: you understand). The project got tanked along the way, despite my patchwork re-design that involved a cardboard kaleidescope from a child's birthday party and a 50x magnifying glass. I waited another two years to get my own email address, and another two passed before I started to actually &qu
Read more

Teaching Creative Nonfiction in Pandemic

Three weeks into my own, two week's into my daughter's isolation, I am teaching a class on Creative Nonfiction. We are nine weeks into the semester. Over Spring Break, everything in the world changed. The students "returned" tonight. I have been teaching in class in Zoom basically since I was told about Zoom. For me, it was the perfect solution to what then were my life's problems. I hated traffic. Zoom. I am deaf and require hearing aids, and listening in rooms of people is impossible. Zoom. I like to teach without interruptions. Zoom. Also, because I live in the mountains of Western North Carolina, often some students can't make it to class. They would Zoom. Some nights, none of us could come to class. We Zoomed. All of us. And that was the end of teaching in a classroom. I still carried the slight stigma of being an "online professor." It held a similar stink that "online dating" used to before everybody did it. It wasn't a "
Read more