Like a lot of people of my generation, I haven't come across much Wolfe. I plan to pick up a copy of the short stories. Do you have a favorite?
Oh, you like Wolfe! You can tour his house here! It's just over there on Market Street. You can also stand in his shoes. They've been bronzed!
I have indeed! I've read every word, and the journals, and the letters, as well as multiple published versions of Look Homeward, Angel. I found O Lost to be much more satsifying and loved reading the two side by side, highlighting the altered passages. My dream is to spend a summer thumbing through the original drafts, all two million words of them.
Oh, you know, living here in Asheville, with so many descendants of the actual characters in Look Homeward walking around, teaching your kids, running the florists and being doctors and all, it's a bit bad of form to read Wolfe. If you do read him while you're here in town, it's best to keep it on the sly. Like a speakeasy, only for books. A read-easy, if you will. We'd be wise not to talk about it further, not in the open like this.
I had a girlfriend who loved reading Wolfe, and we read Of Time and River while we backpacked around Europe back in the 80s. It was the best few weeks of my life, then she dumped me on the Rhine for a Spanish soccer player, and I threw my copy overboard. It's now all soggy at the base of the Lorelei. But I loved every word of it. (Sigh heavily til interlocutor changes subject to avoid your total breakdown)
At this time, I'm more interested in the criticism surrounding Wolfe. (Then just wait . . . you probably are safe from further engagement. If you discover you are not, run.)
Wolfe is such a stunning asset to American literature, and it's exciting to see his legacy revived. While it's been some time since I read You Can't Go Home Again, there's no doubt that it's one of the greatest books in the English language. I just wish they hadn't changed the name from Eugene Gant to George Weber. (interlocutor here will no doubt enjoy a monologue espousing his or her shared sentiments; conversation will very likely veer into the editing narrative, which you can happily let interlocutor control at no expense to your literary profile)